1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.   Related Paintings of Frederic E.Church :. | New England Scenery | Broken Colunms,View from the Parthenon,Athens | The Vale of St.Thomas,Jamaica | Mount Chimborazo,Ecuador | Eagle Lake Viewed from Cadillac Mountain |
Related Artists:
LIMBOURG brothers
Flemish painters (b. 1370-80, Nijmegen, d. 1416, Nijmegen). family of Franco-Flemish manuscript illuminators. The Limbourg brothers, Pol, Jan, and Herman, were trained as goldsmiths. They succeeded Jacquemart de Hesdin in 1411 as court painters to Jean, duc de Berry. Their masterpiece is the magnificent book of hours known as the Tr??s Riches Heures (c.1415; Mus??e Cond??, Chantilly). This is filled with exquisite illustrations of the daily life of the aristocracy and peasantry, including a series of calendar illuminations that are considered the finest extant examples of the International Gothic style
NEER, Aert van der
Dutch Baroque Era Painter, ca.1603-1677 Dutch landscape painter. Working mostly in Amsterdam, he excelled in painting unusual light effects, such as moonlight, sunsets, conflagrations, and glimmering light on snow and ice. His winter landscapes are among the best in Dutch art. He is well represented in many European galleries. The Metropolitan Museum has his Sunset, The Farrier, and Landscape. His son and pupil, Eglon Hendrik van der Neer, 1634C1703, was a genre, landscape, and portrait painter. He was court painter to the elector palatine in Desseldorf. He excelled in painting luxurious interiors, hunting scenes, and mythological or biblical subjects in Dutch settings.
Gabrie Metsu
Gabriël Metsu (January 1629 - buried 24 October 1667) was a Dutch painter of history paintings, genre works and portraits. Metsu was the son of the Flemish painter Jacques Metsu (c.1588-1629), who lived most of his days at Leiden, and Jacomijntje Garniers, his third wife, whom he married in 1625. Jacomijntje was the widow of a painter with three children of her own. Two months after Gabriël's birth, his father died. According to Jacobus Houbraken, Metsu was taught by Gerard Dou, though his early works do not lend colour to this assertion. He was influenced by painters of Leiden such as Jan Steen, and later by Frans van Mieris the Elder. Metsu was registered among the first members of the painters' corporation at Leiden; and the books of the guild also tell us that he remained a member in 1649. In Leiden, it was alleged that Metsu left a brothel at six in the morning and took a prostitute to the Academy. In 1650 he ceased to subscribe, and works bearing his name and the date of 1653 support the belief that he had moved. Metsu was trained in Utrecht by Jan Baptist Weenix and Nicolaus Knepfer. The alley on Prinsengracht In Amsterdam Metsu lived in an alley on Prinsengracht, where he kept chickens. He got into an argument with a neighbor and moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff, whose father was a potter and mother a painter. The Speed Art Museum has a portrait of the couple. Pieter de Grebber, a religious painter from Haarlem, was her uncle.